@#%&*! Smilers

The combination of charming every-day lyrics and the smoky warmth of her vocals give even the simplest song a lush quality on Aimee Mann's latest music album. It makes for the kind of refreshing Sunday morning album you throw on and let flow through the background as you go about your day. Aimee has a classic folk music undercurrent to her brand of guitar pop that recalls luminaries like Joni Mitchell. It is a lofty comparison, but on her latest album @#%&*! Smilers, Mann delivers on the promise she showed on Magnolia Soundtrack's captivating "Save Me".
One More Drifter In The Snow

Independent alternative music rocker Aimee Mann has created an eclectic and satisfying Christmas album in One More Drifter in the Snow. Best known for her work with the '80s band 'Til Tuesday and her Oscar-nominated score for the movie Magnolia, Aimee Mann's work is psychologically aware and often melancholic. Many of the songs on Drifter are no exception, but her music never loses the beat and she turns in some interesting takes on several classics.
The Forgotten Arm

Aimee Mann's greatest asset has always been her knack for inspecting the brittle consistency of humanity through an acute aperture, as on this album, The Forgotten Arm. Once she found herself free from a suffocating major label experience, Mann self-released Bachelor No. 2, or the Last Remains of the Dodo (2000), a record of human vulnerability and insignificance. Its stately pop music showcased a slippery wit: was the music industry a metaphor for relationships, or were relationships a metaphor for the music industry?
Live At St. Ann's Warehouse

While Aimee Mann's solo music has boasted the tape-loop sheen and production smarts of an artist who is most comfortable in the music studio, she also happens to be an engaging and expressive live performer, and thankfully she has taken the trouble to offer proof of this with this release. Live at St. Ann's Warehouse was recorded during a three-night stand at the titular Brooklyn venue in July of 2004, and captures Aimee Mann and her backing band in superb form.
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Tall, elegant and with striking blond hair, Aimee Mann makes an unlikely harbinger of music-industry doom. She ought to be an A&R man's dream; as indeed she was, from fronting Eighties pop group 'Til Tuesday though to early solo records Whatever and I'm With Stupid. Trouble emerged with recordings for her third album. Record company execs asked Mann to return to the studio to provide them with a hit. Instead, she walked out and found sanctuary with film-maker Paul Thomas Anderson, who used her songs to inspire his hit movie Magnolia.